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The pre-eminent virtue of any culture is to talk about its own people to its own people, to talk him about its roots, of its present and future…(…) Without any circulation of works, there is a silence on them. There is nothing worth or hardly that creation expresses itself if it doesn’t have real chances of being spread…

 NTSIKELELO BOYZIE CERKWANA, South African Choreographer

 How to overcome all obstacles hampering the spread of African Creation ?

 Roughly it’s this question that we, undertakers, creators, Institutions and cultural broadcasters should answer. So far experiences like “Afrique en Création” (France) or other Institutions from northern countries have only made easy contacts, exchanges of ideas,  setting of small economic channels. What is obviously  a colossal work. But insufficient. Not to mention that administrative and governmental usual obligations which these same Institutions meant to be emancipated from. It’s because of these experiences that we now talk of Luanda , Tananarivo, Grand-Bassam, Bamako, Yaounde, Dakar. At the time of recent meetings of Lilles organized by the French Minister of Foreign Affairs, moreover someone will talk about “collisions artistiques majeures” ( “major artistic collisions” ), with reference to these events. But it is known that these events are an opportunity to testify the acuteness of imagination  and the endemic poverty of means creation. Then we must settle to work to give to African creation the necessary renown.

Works through reliable networks ?

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